![]() So it wasn't surprising that we got our hat handed to us a little bit at the box office. I mean, it is a fun movie, but it doesn't fit that mold. Event Horizon, it's not a fun summer popcorn movie. Dallas International Film Festival Screenplay Competition Enlisting High Profile Filmmakers Dallas. Event Horizon Films Reveals Production Updates At The Dallas International Film Festival. That was really when we should have been released. At Event Horizon Films, we utilize industry professionals to help screenwriters all over the world perfect their craft and build their portfolio. It's like, we're a really dark, disturbing science-fiction movie, we should be in the fall, we should be Halloween, or in November. Dank seiner grausamen Bilder und dem erschreckenden Ton hat Event Horizon von 1997 in den Jahren seit seiner Veröffentlichung Kultstatus erlangt. Event Horizon feels like a once-in-a-lifetime cinematic excursion in sci-fi and pure, unfiltered horror that rarely ever comes along out of the studio system. You know: Oh, my God, you want to release my movie in the middle of the summer? To compete against a Harrison Ford movie where he plays the President of America? That sounds great! Of course, what I should have been was really concerned, like: Oh, my God, we're going to get killed. ![]() Looking back, if I'd been more experienced as a filmmaker, I would have pushed back against the studio about the release date. Whenever I bump into him, he's always very pleasant, and I love him as a filmmaker. No! Listen, Cameron has been very vocal about how he likes my Alien vs. The end result was, the majority of what you see onscreen is real, and reality holds up well, whereas nothing dates as fast as cutting-edge CG. Given a choice between having Laurence Fishburne on a blue screen and building an upside-down set into which we stuck Laurence upside-down and spun him round and round, we'd do. And if you can't do it for real, do as much as possible for real." Instead of going with cutting-edge CG, we would build big models of the spaceships, we would build big interiors for the sets, we'd try and do as much practical as possible. I said to Richard, "How did you manage that?" And he said, "Just do it for real. You looked at their visual effects 15 years afterwards and they just didn't look dated, they looked like they'd just been made. He'd worked on all these terrific movies like Blade Runner and 2001. EVENT HORIZON (1997) 'The Heart of the Ship' Clip & TrailerPLOT: A deep-space rescue team investigates an experimental spaceship that has suddenly reappeared. I think one of the reasons why the movie continues to look really good is, I had an excellent visual effects supervisor, Richard Yuricich, whose favorite kind of visual effect was no visual effect.
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